lisaskywood
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I agree totally Steve. This photography properly photographed his subject using the proper ISO, shutter speed, and aperture. He had a low aperture number which is how he made the blurry background, he had either a low or high shutter speed, depending on what he did, and he had a very low ISO that gave him the vivid, clear color. The photographer then used light boxes to give him the proper lighting he needed. Then, the photographer had knowledge of colors to use together, mixing the whites and earthtones, as steve said, to give the photo the tone you want. To get this effect that you like, you gotta get knowledge in photography. I fell that if you can take a picture right the first time, you won't need to spend what could take hours in photoshop fixing something you could have avoided when you pressed that button down. remember, whites and light browns look nice and homely together, giving a kind of warm look.I'm not sure what you're asking but most of what you like about these images is the photographers choice of lighting, aperture, and composition along with the color of the props.
This is studio lighting not natural (outdoor) light.
I'm sure there's some post processing too but most of this IMHO is the skill of the photographer.
true designs, it could be easily emulated in photoshop, but it won't look correct.
that's not what I'm saying... kind of... what I'm trying to say is that the depth of field has different levels of focus that are dependent on how far away the object is. there's no way to accurately replicate the effect. At first glance it'll look right, but look at it long enough and you can see that it doesn't look just right... and besides, why try to emulate it when you can just shoot it like that the first time. THAT is my point. That trying to recreate the effect in photoshop is more work than it's worth. And actually, yes. I am saying that not just anyone can accurately replicate that image. Take a friend who knows little to nothing about photoshop and ask them to make an accurate image with a correct depth of field, correct lighting, make it look asthetically pleasing, and ask them to correct color and make the colors cohesive to provide an asthetically pleasing look to the image. If their jaw doesn't drop and they try it without flinching, they will soon do what many refer to as rage quitting because it will take them hours to do. We're human. We just can't make the perfect amount of blur that changes in between each centimeter of space that comes with a shallow depth of field. That, my friend, is what you are asking of these people. Now, give them the choice of taking a photo correctly and being done with it, or spending what could take hours in front of the computer. Let's see which it is that people pick.Wait a minute, are you trying to say i or anyone else couldn't duplicate that with photoshop and make it looks the exact same to the naked eye?? i think you underestimate the power of photoshop...
that's not what I'm saying... kind of... what I'm trying to say is that the depth of field has different levels of focus that are dependent on how far away the object is. there's no way to accurately replicate the effect. At first glance it'll look right, but look at it long enough and you can see that it doesn't look just right... and besides, why try to emulate it when you can just shoot it like that the first time. THAT is my point.